Music & Sound-tracks of our everyday lives: Music & Sound-making, Meaning-making, Self-making

Published

18-9-2019

Type of Work

Article - Journal

Conference Proceedings

Advisors and Contributors

Nil

Project Affiliation

Part of a Professional Doctor of Creative Industries (DCI) degree at Queensland University of Technology (QUT)

Abstract

The original aim of this professional Doctor of Creative Industries (DCI) Research Project was to investigate music–making practice and Self as a practitioner in the process of creating and producing a DIY music artifact. Specifically: to investigate why I as the practitioner felt a connection with one form of music-making (acoustic instrument-based), and not a connection with another form of music-making (digital virtual-based).

As a phenomenologist, I situated Self into this autoethnographic study in the dual roles of researcher and practitioner; developing first-person narratives of my personal journey, critical reflection and reflexive practice. The holistic and multi-dimensional nature of this research has provided rich and nuanced data, illuminating the co-constituted nature of Self, interpreting meaning, and practice. In particular, the research study contextualises contemporary DIY creative practice relative to three interdependent tenets: music & sound-making practice, meaning-making and Self-making, where these tenets are understood in terms of hybridity, agency and subjectivity.

Notes

Nil added

Citation

Page, D. L. (2019). Music & Sound-tracks of our everyday lives: Music & Sound-making, Meaning-making, Self-making. In Proceedings of the 14th International Audio Mostly Conference (AM'19), ACM, Nottingham, United Kingdom: A Journey in Sound (pp. 147-153). https://doi.org/10.1145/3356590.3356613

Nil

Note: no sensitive notes to my understanding

Link to Full Text

Share

COinS