Submission Date

15-11-2024

Resource Type

Collection (a group of items)

File Format

zip

File Size and Duration

296.8MB

Format Note

unzip

Abstract

This project explores how listening environments and mediums impact mixing decisions. You'll mix two multitracks from different genres, focusing on ensuring your mixes translate well across various environments: one emphasizing high dynamic range (jazz, classic, acoustic) and the other focusing on small speaker systems (hip hop/R&B). You'll apply professional techniques like comparative listening and sonic analysis to address these challenges.

Student went above and beyond in all aspects of project including conducting their own ethnographic research to inform practice.

Note

Audio Recordings and Mixes

Audience

General (G) - suitable for everyone

Language

English

References

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Farinella, D.J. (2006). John Mayer. [online] Mixonline. Available at: https://www.mixonline.com/recording/john-mayer-365713.

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Susic, P. (2024). Measured: iPhone 15 Pro Max microphone frequency response and directivity. [online] Faber Acoustical Blog. Available at: https://blog.faberacoustical.com/wpblog/2024/ios/iphone/measured-iphone-15-pro-max-microphone-frequency-response-and-directivity/ [Accessed 14 Nov. 2024].

Universal Audio (2021). Mixing Hip-Hop Vocals with Derek ‘MixedByAli’ Ali. [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=Tgqx0Jz7Zp8.

Waves Audio (2017). Parallel Compression on the Whole Mix – the ‘Rear Buss’ Technique. [online] www.youtube.com. Available at: https://www.youtube.com/watch?v=R0l3XAli6Zg [Accessed 13 May 2021].

White, M. (2018). 8 Tips for Great Sounding Mixes on Small Speakers. [online] waves.com. Available at: https://www.waves.com/tips-for-great-mixes-on-small-speakers.

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