Submission Date
16-12-2024
Resource Type
Collection (a group of items)
File Format
File Size and Duration
3.5MB
Abstract
Concept reasoning and planning documentation for major project development.
Students went well beyond the required scope of the project to make their case.
Audience
General (G) - suitable for everyone
Language
English
References
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Byron Shire Council. (2024). Filming in the Byron Shire. Nsw.gov.au. https://www.byron.nsw.gov.au/Development-Business/My-Business/Business-Suppo rt-Services/Filming-in-the-Byron-Shire
Borum Chattoo, C., Feldman. L. (2020). A Comedian and an Activist Walk into a Bar: The Serious Role of Comedy in Social Justice. University of California Press.
https://books.google.com.au/books?id=GJbBDwAAQBAJ&printsec=frontcover#v=onepage& q&f=false
Buhler, J. (2022). Composing for the Films in the Age of Digital Media. The Mediations of Music, 1, 144-162. Routledge.
Byron Shire Council. (2024). Filming in the Byron Shire. Nsw.gov.au. https://www.byron.nsw.gov.au/Development-Business/My-Business/Business-Supp ort-Services/Filming-in-the-Byron-Shire
Campbell, M. (2017). The Mocking Mockumentary and the Ethics of Irony. Taboo: The Journal of Culture and Education, 11(1). https://doi.org/10.31390/taboo.11.1.08
Dursen, O. (2017). A THREAT EXCEEDING THE DIEGETIC UNIVERSE: THE LAST HORROR MOVIE. [Master Thesis, KADİR HAS ÜNİVERSİTESİ]. ResearchGate.net. https://www.researchgate.net/profile/Oguzhan-Dursun/publication/360932154_A_T hreat_Exceeding_the_Diegetic_Universe_The_Last_Horror_Movie/links/6293a0378d1 9206823e5c4d7/A-Threat-Exceeding-the-Diegetic-Universe-The-Last-Horror-Movie.p df
Fossum, S. O. (2015). The Walking Dead: Representations of Death, the Other and the West. [Masters Thesis, University Of Oslo]. duo.uio.no. https://www.duo.uio.no/bitstream/handle/10852/46122/1/Fossum_Master.pdf
Grammarly. (2024). Grammarly.com; Grammarly. https://app.grammarly.com/ddocs/2632205190 Hamilton, A., & Pearson, L. (Eds.). (2020). The aesthetics of imperfection in music and the arts :
Spontaneity, flaws and the unfinished. Bloomsbury Publishing Plc.
https://ebookcentral.proquest.com/lib/sae/reader.action?docID=6318119 Heim, C. L. (2015). Audience as Performer: The changing role of theatre audiences in the
twenty-first century. https://eprints.qut.edu.au/86696/ Hess, W., & Hess, W. (2013, April 3). Your target market cannot be everyone | Whitney Hess.
Whitney Hess.
https://whitneyhess.com/blog/2009/05/14/your-target-market-cannot-be-everyone/ Naik, P. P. (2020). Where fact meets Fiction - The Science Mockumentary. University of Otago.
https://ourarchive.otago.ac.nz/esploro/outputs/graduate/Where-Fact-Meets-Fiction--
-The/9926478432201891 Reyland, N. (2015). Corporate classicism and the metaphysical style: Affects, effects, and
contexts of two recent trends in screen scoring. Music, Sound, and the Moving Image,
9(2), 115-130. Roscoe, J., & Hight, C. (2001). Faking it: Mock-documentary and the subversion of factuality.
Manchester University Press. https://books.google.com.au/books?id=i55kcByOh70C&printsec=frontcover#v=onepage& q&f=false
Seilkhanova, T. (2020). How to Introduce a Culture Without Talking About It or Why Mockumentary Works [Masters thesis, State University of New York]. Buffalo ProQuest Dissertations & Theses.
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