History of Music Production Part 5a – The DIY music-making practitioner

Published

5-8-2015

Type of Work

Other

Higher Degree Research task_Blog post

Advisors and Contributors

Nil

Project Affiliation

Part of a Professional Doctor of Creative Industries (DCI) degree at Queensland University of Technology (QUT)

Abstract

In an early stage of my HDR study of contemporary DIY music & sound-making practice,  I felt a need to explore musical styles as one of the key elements of music-making praxis. However, what quickly became apparent was the very complex nature of highly hybridised contemporary music-making practice. In order to mediate this phenomenon, I decided to research from the present era down certain lineages of music-making practice. I did this one decade at a time, over the previous century. Emerging out of my extensive research were some clear differences between different lineages - different styles and approaches - of music-making practice. This then afforded me an opportunity to categorise a breadth of musical styles under 3 lineages, using umbrella terms.

This blog represents part of a series of that particular research practice process.

Notes

Nil added

Citation

Page, D. L. 2015. History of Music Production Part 5a: the DIY music-making practitioner. https://davidlintonpage.com/2015/08/05/history-of-music-production-par-t-5-the-diy-music-making-practitioner

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