The postgraduate collection showcases the research outputs of the University’s dissertations, exegesis and creative works. The aim of the collection is to connect creatives and industry researches to scholarly work through an open access repository.


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Thesis/Dissertations from 2024

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Accessible & Inclusive Music-Making, Lincoln Byass

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An Animation Production Extension of Spirit Spider, Jayden Abbott

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Animating Feminism, Angella Burgess

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Disrupting negative representations of queerness in genre cinema, Mark Gambino

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In the Mix: Hip Hop's impact on genre development and cultural influence in African and Jamaican music, Kinzi Kabadeh

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Man in a room: Methods of cinematic identification & repulsion in the work of Paul Schrader, Ingrid Dieckmann

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Pigments: The Bridge of Disciplines, Candace Gwyther

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Rising from the dust: (in)Visible Women in Australian mining., Angela Webb

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Seeking the unspoken: Examining queer subtext in storytelling, Morgan Stevens-Reidy

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The dark cloud : A creative exploration of anxiety through 3D Animation, James Applegate

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The way of madness, Sacha Lamont

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Zine and collage-making as an engine for queer self-Making: Cutting, pasting, and seeing what sticks, Robin Lao

Thesis/Dissertations from 2023

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Apples and Oranges, Daragh Henchy

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Composing an identity between worlds : Music’s role in exploring the self, Sarah Homeh

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Connecting through stories: The power of digital narratives, Adam Rawson

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Screen ruptures: Disrupted content for the prosumer generation, Kelsey Clark

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Slow Down. A Sound (e)scape. A Sound idea for Life, Nicholas Blackman

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System translation, life as play: A creative practice for expressing complex systems as game systems, Tomas Donovan

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The impact of draconic signs upon the game design process, Peter Carey

Thesis/Dissertations from 2022

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AI Interactivity In game design, Morgan Casey

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Coloured on the spectrum: An autoethnographic examination of autistic dissonance in White Australia, Black Africa, Academia & Creative Industries, Jordan Azor

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Disability representation in media: More than just the character, Antony Clements

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In the driver’s seat: A practice-based Inquiry into the compositional role of electric guitar distortion in heavy metal music, Timothy Hacquoil

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Men at peace: A creative ethnography, Henriette Blecher

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Post-digital curation: The contemporary Flaneur, technology and the artist Book., Jared O’Sullivan

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Sounds of Space: Utilising the sonic language of Space music in music production, Chris Lambert

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The evolution of participatory culture through interactive storytelling on TikTok, Kristina Chapman

Thesis/Dissertations from 2021

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A quest from then to now: How early tabletop role-playing games have influenced contemporary game design, Marc Wainwright

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Healing rites : A performance autoethnography, Auryn Rotten

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Hybridising genre in contemporary music production, Julian Hay

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Identity before production: An analysis of female Asian representation within screenwriting, Kim Larkin

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Moxie : We just wanna play games, Chris Stojkos

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Recording Studio Living Archive-Melbourne: DIY histories, a social justice approach, Lilith Lane

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Sonic submersion: Artistic research into 360 audio, Christopher Hancock

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Sound, vision and alter ego: Creating a visual narrative for my music, David Ciura

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The stranger next door: Enhancing horror narrative through real time progress and meta-data, Fae Daunt

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Virtual human systems: A genralised model, Marcus L. Endicott

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Writing myths: Interpreting and translating meaning, Naomi Robinson

Thesis/Dissertations from 2020

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CognitiveVR: Memory training for dementia patients, Daniel Phill

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Devine Affliction : The intersection of gender & music production, Louise Thompson

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My music time: Emotional well-being through musical play, Johannes Dreyer

Thesis/Dissertations from 2018

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Poseidon's music box sculpture, Guy Cooper