The Staff Scholarship - Australia & Dubai collection is a collection of scholarship by SAE staff that includes publications and other scholarship activities.
Submissions from 2026
How NOT to Make a Doco, Russell Burton Mr
Reimagining musical improvisation through poetic inspiration: a creative practice investigation, Sean Foran
The Art of Perception: Motivations for Formal Education and Their Impact on Critical Listening Pedagogy, Nick Metcalfe Mr
Aided, abetted, multiplied, burlesqued: Authorship, artificial intelligence and the poetics of the assemblage, Lola Montgomery
Shimmer: Introducing and workshopping a new methodology for practice-led research, Lola Montgomery
Hive Minds and communities of practice: A reflection on implementing a casual peer community of practice, Cathy Stephens
Submissions from 2025
The Impact Producer - an emergent crew role in screen production charting alternative pathways to funding and audience, Renée T. Brack
Artwork from animation (ANI216 Animation Studio), Adrian Bruch
Automatonophobia, Adrian Bruch
Professional practice overcoming the blank page syndrome, Adrian Bruch
We Were Children Once: Crafting Narrative and Emotional Immersion through XR Soundscapes, Alicia Butterworth and Peter Hegedus
Orchestrating Brilliance In The Recording Studio: Mixing Music To Record Music, Adrian D. Carroll
Music portfolio: Berd Shert Vol. 3, James Chang
The Musical Chairs Framework for Understanding New Audiences and Innovative Practice: An Analysis from the Perspective of the Conductor, Majella Clarke
The Role of Technology in Expanding Conducting Practice and its Aesthetic Implications, Majella Clarke
In Tensile // In Between, Corinna Di Niro
'The Rest is Silence': Reframing Stasis as Integral to Creative Practice, Corinna Di Niro and Pablo Muslera
IGDA Foundation Alumni Weekend: Multiclassing for Better Leadership, Matthew Dyet
APRA/AMCOS/AMC Art Music Award Judging Panel, Sean Foran
Reimagining musical improvisation through poetic inspiration: a creative practice investigation, Sean Foran
Creating with industry: integrating industry projects within a tertiary music curriculum, Sean Foran and Patrick Carroll
Rainbow Bop: Integrating a Multidisciplinary Industry Project within Tertiary Music Education, Sean Foran and Patrick Carroll
Beyond the Song: Authorship and Production in Australian Independent Music, Matthew Giovannangelo
Online Course Production: Get Started with 3D Art in Unity, Nick K. Harrison
A Disruptive Innovation: Teaching Students to Take Risks in the Creative Industries, Jessica Hughes
Identity Entanglement in Transnational Body Horror Cinema, Jessica Hughes
Using digital archaeology and machine learning to determine sex in finger flutings, Andrea Jalandoni, Robert Haubt, Calum Farrar, Gervase Tuxworth, and Zhongyi Zhang
Using digital archaeology and machine learning to determine sex in finger flutings, Andrea Jalandoni, Robert Haubt, Calum Farrar, Gervase Tuxworth, Zhongyi Zhang, Keryn Walshe, and April Nowell
Phonography and Turntablism, James Kelly
Vinyl Noise, James Kelly
When creative practice becomes research, James Kelly
The Last Werewolf, Rebecca Kerr
The Last Werewolf: An Interactive Narrative About Bipolar Disorder, Rebecca Kerr
Introducing a Non-Zero Post-Humanistic Framework for Problem Solving in Design Education, Louise Kolff and Robert Haubt
A Burlesque: The Shimmering Body of Revealing, Lola Montgomery
The Power of No ..as a creative path, Richard C. Moore Mr
'What the world would be': how creating a shared world through collaborative roleplaying helps us to deal with real-world challenges, pablo muslera
Demo-itis: What It Is, and How to Snap Out of It, Jan Muths
Doing history with the saints, Marcus O’Donnell Prof
Spectre and Stem, Marcus O’Donnell Prof
The Adjacent Possible, Marcus O’Donnell Prof
Unraveling landscape stories, Marcus O’Donnell Prof
Mid-Fi production of 'Here Comes The Afternoon' by Monnone Alone, Gareth Parton
Campus Community Connections: Crew Callouts Encouraging Collaboration, Vincent Pickering
Immersive Digital Painting: Insights into Interactive VR-Based Artworks, Heli Puhakka
Adryan Scicluna, Adryan John Scicluna Mr
Representation in Cinema, Dasein’s Demise as the Violent Result of Home/Alien Encounter in the Search for Dwelling, Mohammadreza Shams
WLF Film Festival [2025], Mohammadreza Shams
Increasing understanding with Multiple Means of Representation: Interactive workshop for teaching staff, Cathy Stephens
2025 BaySounds Songwriting Competition and Live Broadcast Event, Dirk Terrill
Reveltion Perth International Film Festival Academic Conference 2025, James Thompson
Through the Glass Darkly: Cross-Cultural Collaboration and the Experimental Adaptation of Shakespeare, James Thompson
Sweet Talk "Switch On", David Turner and Soren Walker
Cogniti Project: AI-Augmented Teaching and Learning, Colin N. Webber Dr
Music Portfolio: Music inspired by the Bahá'í Writings, Colin N. Webber Dr
Views from the bridges, Colin N. Webber Dr
Idiosyncratic approaches to electronic music-making through mobile technologies, Nick E. Wilson and Martin K. Koszolko
Colin Magazine Photo: Trigun, Megan K. Woods
Composing Songs for Dead Sailors, Toby Wren
Songs for Dead Sailors, Toby Wren
Submissions from 2024
Beyond Syntax: Teaching Programming as a Problem-Solving Tool in the AI Era, Luke Bozzetto
Drawings in group exhibition 2024, Adrian Bruch
Teaching Sound Design: Building a Sound-Focused Interactive Documentary Using Familiar and Approachable Software, Alicia Butterworth, Nicole McCuaig, and Alex Adam
The engagement dynamics of ambient modular music, David Chechelashvili
Residual Memory, David Chechelashvili and Alan Brown
The Sonic Conductor, Majella Clarke
Approaching Unit Design: A Scholarly Approach to Learning Design, Amy Common
Australian/Japanese ElectroPunk S.F.D.U. 11 Singles & Album, Guy A. Cooper and Jake A. Morton
Anemoia (Single), Brian Cunningham
Do-Gooder (Single), Brian Cunningham
Music portfolio: an exploration of independent music making., Brian Cunningham
Reframing & creatively handling history through music, Claire Deak
From Stage to Screen: the enduring influence of Commedia dell'Arte., Corinna Di Niro
Great Games Need Great Leaders: From Masters to Publication, Matthew Dyet
Great Games Need Great Leaders: Multiclassing to Lead Game Development Teams, Matthew Dyet
What Teams Need: Leading Digital Creatives, Matthew Dyet
Queensland Music Awards - Judging Panel Member, Sean Foran
Trending Now: Social Media’s Role in Maintaining the Relevance of Jazz in the 21st Century, Sean Foran and Lauren Istvandity
Scaling Up: Teaching Contemporary Music through Repertoire Structures, Sean Foran, Vincent Perry, Jade O'Regan, and Tom O'Halloran
Online Course Production: Get Started with 2D Art in Unity, Nick K. Harrison
Photography: The Art Of... ABC TV, Nick K. Harrison
Chiaroscuro Photogrammetry: Revolutionizing 3D Modeling in Low Light Conditions for Archaeological Sites, Andrea Jalandoni, Robert Haubt, Keryn Walshe, and April Nowell
I was your age once!, Ronald Marc
Barbie As Cultural Moment, Lola Montgomery and Corinna DiNiro
Kaleidofye's "Infinitely" EP, Stephen O'Connell
A Strange Appearance, Marcus O’Donnell
Uncertain Positions NGV Access Gallery, catalogue essay, and reflection 30 years on, Marcus O’Donnell Prof
Design Beyond Screen: A Primer for Designing Mobile Augmented Reality Storytelling Application, Divya Seengal, Simone O'Callaghan, and Zi Siang See
WLF Film Festival [2024], Mohammadreza Shams
Frog's Princess interactive storybook exhibited at AVCon Indie Games Room, Adelaide, South Australia, Kathy Smart
Evaluation of learning theory experiences, Cathy Stephens
Dirk Terrill, Dirk Terrill
Solar Systems and Hind Legging: A practitioner’s perspective on Creative Research Practice, Nat Dianne Texler and Lola Montgomery
Poco Film Festival Talks: The Impact of AI: A Humanist Perspective, James Thompson
Revelation Perth International Film Festival Academic Conference 2024, James Thompson
Sci-fi Deck Builder: Masters Project Development, Anna Tookey
Digitising the Deep Past: Machine Learning for Rock Art Motif Classification in an Educational Citizen Science Application, Richard N. Turner-Jones, Gervase Tuxworth, Robert Haubt, and Lynely Wallis
The Legacy of Tabletop Role-Playing Games: Shaping Contemporary Game Design, Marc Wainwright and Ping-I (Adam) Ho