The Staff Scholarship - Australia & Dubai collection is a collection of scholarship by SAE staff that includes publications and other scholarship activities.
Submissions from 2022
Omi Oh My AI, Matthew Dyet
No more than four: A minimalist guide to popular music performance and production, Sean Foran, Vincent Perry, and Adrian Carroll
Frolicking in the Garden of Scull, Adam Quaife, Anthony Breslin, and Jason Marx
Submissions from 2021
(Auto)Theorizing the maternal interval: Burlesque performance as creative research, Lola M. Montgomery
Music & Soundscapes of our everyday lives: Music & Sound-making, meaning-making, and self-making, David L. Page
The News, Toby Wren
Submissions from 2020
Manarays Debut Album, Adrian D. Carroll
Becoming burlesque: Performer training in contemporary burlesque, Lola M. Montgomery
Music & Soundscapes of our everyday lives: Music & Sound-making, meaning-making, and self-making, David L. Page
Krithi: Cows at the Beach: Improvising Carnatic-jazz, Toby Wren and Suresh Vaidyanathan
Submissions from 2019
Optimizing the potential of research data through an integrated data management approach: Considering research method, data life cycle, big data and linked data in an eresearch example in australian rock art, Robert Haubt and Andrea Jalandoni
A Systematic Quantitative Literature Review of Southeast Asian and Micronesian Rock Art, Andrea Jalandoni, Paul Taçon, and Robert Haubt
Balance and resonance: navigating your life in the current environment, David L. Page
Music & Sound-tracks of our everyday lives: Music & Sound-making, Meaning-making, Self-making, David L. Page
Music & Sound-tracks of Our Everyday Lives: Part 1, David L. Page
Submissions from 2018
Untold stories of DIY/underground Iranian rap culture: the legitimization of Iranian hip-hop and the loss of radical potential, Elham Golpushnezhad
HDR Project 1 Submission_Literature Review, David L. Page
HDR Study Project 1 Submission: Creative Practice in Critical Perspective, David L. Page
Duck, Nat Texler
Lifeline: making the personal experience theatrical, Nat Texler
Submissions from 2017
Using Mediawiki, the Semantic Mediawiki Extension and Relfinder for Heritage Data Management: A Rock Art Case Study, Robert A. Haubt
Learning & Teaching – the first 10,000 hours…., David L. Page
Submissions from 2016
«On n’est pas à vendre». L’économie politique du rap dans la Tunisie post-révolution, Elham Golpushnezhad and Stefano Barone
Rap music and youth cultures in Iran: serious or light?, Elham Golpushnezhad and Mahmood Shahabi
A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform, Robert A. Haubt and Paul Taçon
Submissions from 2015
Queering Tehran: Discovering Gay Rap in Iran, Elham Golpushnezhad
The global rock art database: developing a rock art reference model for the RADB system using the CIDOC CRM and Australian heritage examples, Robert A. Haubt
History of Music Production Part 5a – The DIY music-making practitioner, David L. Page
History of Music Production Part 5b - DIY Culture & Music, David L. Page
Submissions from 2014
Developing Microvirtuosity: SAE Graduate Seminar, Nick E. Wilson
Submissions from 2013
Virtual heritage archives: Building a centralized Australian rock art archive, Robert A. Haubt
Submissions from 2005
Lola the Vamp, Lola Meghann Montgomery